My artistic approach means the connection between the picture as a holder of memory
and space and the room of the presentation with its silence and
emptiness.
I use to paint with oil colours. The perceptive
space essentially becomes warped or "tanned". I fold and unfold the color so that a special light inside the
color is find inside the painting.
The paper
works can be seen as an alternative way to «unfold» layers of
material. I open the paper by cuts or tears or leave the paper plane
with its surface. The white or the black of the paper mean a direct and
pure state of light.
The
paper works as well are the paintings are dedicated to rooms before
observing the light situation of it. Then, the works are presented in a
way, that the light might unfold its layers in a special way.
Also, the viewer is asked to unfold the material by his way of
observation as well as movement. He might follow his inner
glimpse slowly.
My observations of
space are defined by the overlap of objects and bodies. I search
images that
have both depth and immediacy. Ideally my work should not culminate in an individual thought or
principle. I apply paint with the intention of creating visual
atmoshperes, which ebb and flow, take hold and let go and, ideally,
allow the viewer to listen, to see and to interact.